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a centennial gift by lillian krueger generosity was one of the pioneer's virtues which func - tioned to the giving of the last fragment a component of our heritage it is sparingly reflected in present-day living it is almost strange when in this sharply competitive age there comes to the society a gift not from man's abundance but one created during endless months of the wielding of an artist's brush that could have been handsomely rewarding had it been commissioned the painting would have involved the expenditure of several thousand dollars it was executed however by a young and generous madison artist william ashby mccloy who wished to make his own centennial contribution working again in mural dimensions if mr mccloy was made happy in the giving of his talent the society was doubly so in becoming the custodian of his gift this magnificent wisconsin centennial mural composed of three panels was given to the citizens of the state and has been placed by the artist in the society's permanent galleries pregnant with colorful wisconsin history it is a good thing to look upon to absorb and to call one's own to assure accuracy wisconsin history was carefully reread and three of its phases then became the basis for interpretation upon canvas particular personalities and incidents were chosen by mr mccloy for their absorbing subject matter and their char acteristic wisconsin qualities the mural depicts the french pe riod — exploration and fur trading the industrial history from preterritorial times to the present and the general political back ground of the state with a bit of territorial history miss krueger edits and writes for the state historical society of which she long has been a staff member
Object Description
| Title | Wisconsin magazine of history: Volume 32, number 1, September 1948 |
| Article Title | Wisconsin magazine of history: Volume 32, number 1, September 1948 |
| Language | English |
| Publisher | State Historical Society of Wisconsin |
| Series | Wisconsin Magazine of History ; v. 32, no. 1 |
| Format-Digital | xml |
| Publisher-Electronic | Wisconsin Historical Society |
| Rights | © Copyright 2006 by the Wisconsin Historical Society (Madison, Wisconsin) |
| Publication Date-Electronic | 2006 |
| ISSN | 1943-7366 |
| Identifier-Digital | vol32no010000 |
| Description | This issue includes articles on the politicization of the Norwegian-American press in the 1850s, the struggle over agricultural education, and the ghost town of Delhi, Wisconsin. |
| Volume | 032 |
| Issue | 1 |
| Year | 1948-1949 |
Description
| Title | 7 |
| Page Number | 7 |
| Article Title | A centennial gift |
| Author | Krueger, Lillian |
| Page type | Article home |
| Format-Digital | jpeg |
| Publisher-Electronic | Wisconsin Historical Society |
| Rights | © Copyright 2006 by the Wisconsin Historical Society (Madison, Wisconsin) |
| Publication Date-Electronic | 2006 |
| ISSN | 1943-7366 |
| Identifier-Digital | vol32no010009 |
| Description | A Centennial Gift: This article describes the Centennial Mural, a large painting in three panels given to the Society in 1948 by Madison artist William Ashby McCloy (1913-2000) which adorns the headquarters building's north stairway. The essay describes the painting's subjects, which include Jean Nicolet, Jacques Marquette, Nicolas Perrot, Charles de Langlade, lead miners, wheat farmers, the 1842 shooting in the capitol of Charles C. Arndt by James Vineyard, the Joshua Glover rescue, Cordelia Harvey, and Robert M. La Follette, among others. It includes sepia-toned reproductions of the three panels, and concludes with biographical information and personal appreciation of McCloy. (4 pages) |
| Volume | 032 |
| Issue | 1 |
| Year | 1948-1949 |
| State/Province | Wisconsin |
| County | Dane County; |
| Community | Madison; |
| Decade | 1940-1949; |
| Personal Name | McCloy, William Ashby; |
| Organization Name | Wisconsin Historical Society; |
| Subject | Art; Artists; Painting |
| Full Text | a centennial gift by lillian krueger generosity was one of the pioneer's virtues which func - tioned to the giving of the last fragment a component of our heritage it is sparingly reflected in present-day living it is almost strange when in this sharply competitive age there comes to the society a gift not from man's abundance but one created during endless months of the wielding of an artist's brush that could have been handsomely rewarding had it been commissioned the painting would have involved the expenditure of several thousand dollars it was executed however by a young and generous madison artist william ashby mccloy who wished to make his own centennial contribution working again in mural dimensions if mr mccloy was made happy in the giving of his talent the society was doubly so in becoming the custodian of his gift this magnificent wisconsin centennial mural composed of three panels was given to the citizens of the state and has been placed by the artist in the society's permanent galleries pregnant with colorful wisconsin history it is a good thing to look upon to absorb and to call one's own to assure accuracy wisconsin history was carefully reread and three of its phases then became the basis for interpretation upon canvas particular personalities and incidents were chosen by mr mccloy for their absorbing subject matter and their char acteristic wisconsin qualities the mural depicts the french pe riod — exploration and fur trading the industrial history from preterritorial times to the present and the general political back ground of the state with a bit of territorial history miss krueger edits and writes for the state historical society of which she long has been a staff member |
